Evening — Yaman

sunset transition / opening

Yaman is shown again at evening because its conventional time association is commonly used as an evening example, while the earlier point represents a different display phase. The chest anchor marks a sunset listening transition and is not an anatomical duplicate claim.

Pre-dawn — BhairavMorning — BilawalLate morning — TodiAfternoon — MultaniEvening — YamanEvening — YamanLate evening — BageshriMidnight — Malkauns

Point 5 of 7 in Ragas — Body Hours

Cross-tradition overlaps

No overlapping points are registered for this point.

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Sources

Alain Daniélou, The Ragas of Northern Indian Music (secondary)

Raga-theory reference for Yaman and its evening association; it does not establish this body coordinate.

Vāgbhaṭa, Aṣṭāṅga Hṛdaya, Sūtrasthāna (primary_canonical)

Classical daily-regimen material supplies the doṣa-clock context; it does not document this raga or organ placement.

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